Ultra HD: Highly Recommended
4.5 Stars out of 5
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List Price $23.89
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Release Date: June 14th, 2016
Movie Release Year: 2009
MPAA Rating: Parental Guidance Suggested
Release Country: United States
COLLAPSE INFO -

Star Trek (2009) - Ultra HD Blu-ray

Review Date June 20th, 2016 by
Overview -

The fate of the galaxy rests in the hands of bitter rivals. One, James Kirk, is a delinquent, thrill-seeking Iowa farm boy. The other, Spock, a Vulcan, was raised in a logic-based society that rejects all emotion. As fiery instinct clashes with calm reason, their unlikely but powerful partnership is the only thing capable of leading their crew through unimaginable danger, boldly going where no one has gone before. The human adventure has begun again.

OVERALL
Highly Recommended
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  • TECH SPECS & RELEASE DETAILS
    Technical Specs:
    4K Ultra HD/Blu-ray/Digital HD,Region Free
    Video Resolution/Codec:
    2160p/HEVC/H.265
    Length:126
    Release Country:United States
    Aspect Ratio(s):
    2.40:1
    Audio Formats:
    English Dolby Atmos,Spanish 5.1 Dolby Digital,French 5.1 Dolby Digital,Portuguese 5.1 Dolby Digital,English Audio Description
    Subtitles/Captions:
    English SDH, English, Spanish, French, and Portuguese
    Special Features:
    Commentary by J.J. Abrams, Bryan Burk, Alex Kurtzman, Damon Lindelof and Roberto Orci
    To Boldly Go — Taking on the world’s most beloved science fiction franchise was no small mission. Director J.J. Abrams, writers Roberto Orci and Alex Kurtzman, producer Damon Lindelof, and executive producer Bryan Burk talk about the many challenges they faced and their strategy for success.
    Casting — The producers knew their greatest task was finding the right cast to reprise these epic roles. The cast, for their part, talk about the experience of trying to capture the essence of these mythic characters. The piece concludes with a moving tribute to Leonard Nimoy.
    A New Vision — J.J. Abrams’ vision was not only to create a Star Trek that was a bigger, more action-packed spectacle, but also to make the spectacle feel real. Every aspect of production—from unique locations to the use of classic Hollywood camera tricks—was guided by this overall objective.
    Starships — Abrams and production designer Scott Chambliss were careful to pay tribute to the design of the original Enterprise, but they also wanted to make it futuristic and cool for a modern audience. This chapter focuses on the unique stories behind the creation of the film’s starships.
    Aliens — Designers Neville Page and Joel Harlow talk about the hurdles they faced creating new alien species, recreating the Romulans and Vulcans, and designing the terrifying creatures on Delta Vega for the new Star Trek.
    Planets — From the frozen landscape of Delta Vega to the desert plains of Vulcan, Scott Chambliss and the art department had a number of radically different planets to create. Abrams’ desire to shoot on real locations whenever possible led the production team to a number of strange and surprising locations.
    Props and Costumes — Property master Russell Bobbitt had the unique challenge of designing props that were both true to the original series and pertinent to today’s technology. Likewise, costume designer Michael Kaplan talks about how he designed costumes that paid homage to what came before yet were relevant and timeless.
    Ben Burtt and the Sounds of Star Trek — When famed sound designer Ben Burtt was hired to create sounds for the first Star Wars film, he took his inspiration from the original “Star Trek” series. Burtt jumped at the opportunity to pay tribute to the sounds that sparked his career with the sounds he created for the new Star Trek.
    Gene Roddenberry’s Vision — J.J. Abrams, Leonard Nimoy, previous Star Trek writers and producers, and scientific consultant Carolyn Porco describe and commend the optimistic and enduring vision of Gene Roddenberry.
    Score — As a fan of the original series, composer Michael Giacchino embraced the challenge of creating new music for Star Trek while preserving the spirit of Alexander Courage’s celebrated theme.
    Deleted Scenes with Optional Commentary
    Starfleet Vessel Simulator — Explore extensive data on the U.S.S. Enterprise and the Romulan ship, the Narada. Submerse yourself in breathtaking 360° views and close-ups and review detailed tech information.
    Gag Reel
    Trailers
    Movie Studio: Paramount
    Release Date: June 14th, 2016

Story Review Storyline: Our Reviewer's Take

4 Stars out of 5

Back in the mid-80s, at about the time Star Trek IV: The Voyage Home was going in front of the cameras, then-'Star Trek' movie producers Ralph Winter and Harve Bennett came up with the idea of a 'Starfleet Academy' film that would go back and take a look at how the original crew of Kirk, Spock, McCoy, etc., all first met. The concept didn't gain any real traction with Paramount Pictures until after the box office disappointment of Star Trek V: The Final Frontier and the impending 25th anniversary of the original television series, which was rapidly approaching at the time. The movie was actually greenlit by Paramount, but a number of occurrences – not the least of which was fan outrage over their favorite actors being recast with younger counterparts – caused the project to stall. Bennett left the 'Star Trek' franchise, and 'Trek' celebrated its anniversary with Star Trek VI: The Undiscovered Country, followed by a string of 'The Next Generation' films. But when 'Star Trek' seemed to run out of gas again at the box office following the release of Star Trek: Nemesis, the idea of a movie focusing on Kirk and Spock's younger years came up again. The result was this 2009 'reboot' (which really isn't a reboot as much as it is an alternate timeline), written by Roberto Orci and Alex Kurtzman that – while in no way connected to the Winter/Bennett idea that proceeded it – certainly borrows from the earlier concept, adding a number of creative twists and turns to it in the process.

It's easy now to talk about how great 2009's 'Star Trek' turned out to be, but lest we all forget, that was certainly not the case when the movie was first announced. While Director J.J. Abrams being hired to helm the picture certainly calmed many nerves (if fans didn't like TV's 'Alias' and Lost, they certainly appreciated his work revitalizing both Tom Cruise's career and a fledging TV-to-big-screen franchise with Mission Impossible III), there was an overwhelming opinion that the original actors were so identified with their roles that any attempt to re-cast them not only would meet the ire of loyal Trekkies, it simply wouldn't work. But thankfully, those fears were both unfounded and flat-out wrong. Not only is 'Star Trek' perfectly cast, but it brings a warmth and humor to the proceedings that reminded fans why we came to love these characters in the first place. It would be the second (but not the last!) time J.J. was responsible for injecting life back into a franchise that seemed to be on its last legs.

The plot of 'Star Trek' has been discussed ad infinitum since its release (including several reviews right here on HDD), so I'll refrain from providing yet another synopsis of the plot and instead focus on what works (and what doesn't) in the film. Obviously the biggest complement that Abrams and crew should be paid is in the casting of the movie. Even before the cast was announced, it was pretty obvious that Zachary Quinto was the perfect choice for Mr. Spock. Not only is he a dead ringer for a young Leonard Nimoy, but he has a cool, dispassionate way of acting that fits the character perfectly. Karl Urban looks much less like a young DeForest Kelley, but his gruff impersonation is so dead-on, it's very easy to imagine he's a younger 'Bones' McCoy. Finally, and perhaps most importantly, was the casting of Chris Pine as James T. Kirk. Pine doesn't really look or even act (no dramatic pauses here) like William Shatner, but what he does do is capture some of the character's traits perfectly – the cockiness, the willingness to leap into action before looking, and – yes – the womanizing. While the other actors here are doing their best to pay homage to the originals, Pine makes Kirk his own.

Which is not to say Abrams' film is perfect. Ever since Ricardo Montalban grappled to the last with the crew of the Enterprise in Star Trek II: The Wrath of Khan (still the best 'Trek' film by any measuring stick), the creators of 'Star Trek' films have tried to come up with a villain just as entertainingly evil and have failed with every try. They fail once again with Nero (played by Eric Bana), a Romulan from the future with a planet-destroying starship who has followed the original Spock (aka 'Spock Prime' and once again played by Leonard Nimoy) back in time to exact his revenge. Nero isn't very well-developed as a character, and his presence just seems to be an obstacle that our heroes need to overcome than someone the audience really gets to know during the course of the story. In fact, much of Nero's screentime was cut in the editing room (some of it is available in the deleted scenes on the second Blu-ray disc of this set), an indication that Abrams too realized the character was not quite working the way he hoped.

Part of the fun of watching 'Star Trek', of course, is the audience (well, at least most of it) having knowledge about the characters that the characters themselves aren't aware of yet. We already know that Kirk and Spock are going to become great friends, even if they don't yet, and seeing that friendship develop on-screen is one of the joys of the movie. And even though Leonard Nimoy has a brief cameo in this film's sequel, this is for all intents and purposes his final performance as Spock – and he nails it, bringing with him all the history of and love for that character we've gained over the past decades. He's probably in the actual movie less than 15 minutes, but he's a huge part of why 'Star Trek' is as good a movie as it turns out to be.

As for whether this 4K Ultra HD release is worth upgrading to or not, I think it really depends on how big of a 'Star Trek' fan one is, and if you already own one of the prior Blu-ray releases of this movie. For this fan, though, I'm pretty happy at Paramount's decision to make this film (and its lesser sequel) among their first Ultra HD releases. One can only hope that some of the original cast films are soon to follow.

The Blu-Ray: Vital Disc Stats

'Star Trek' warps onto 4K Ultra HD in a black Elite keepcase, which contains a plastic hub that holds the 4K disc and the first Blu-ray disc. The second Blu-ray disc (with the majority of bonus materials) is on a hub on the inside right of the case. The case also holds a single insert with a code for either an UltraViolet or an iTunes digital copy of the movie. A slipcover with artwork matching that of the keepcase's slick and a slightly embossed logo slides overtop.

There are no front-loaded trailers on the 4K disc, whose main menu is a graphical schematic of the U.S.S. Enterprise, with menu selections in the lower left corner of the screen. The first Blu-ray (which contains the movie), however, is front-loaded with trailers for Transfomers: Revenge of the Fallen, G.I. Joe: The Rise of Cobra, a promotion for the now-defunct Fringe TV series, and an advertisement for the 'Star Trek D.A.C.' video game. The main menu of the first Blu-ray has the same design as the 4K disc. The second Blu-ray in this release has no front-loaded trailers and features a slightly different Enterprise graphic, with the bonus offerings running horizontally down the left side of the screen. For the record, the two Blu-rays in this release are the exact same discs for the 2009 film that are part of Paramount's Star Trek: The Compendium release (including the artwork on the discs themselves).

All the discs in this release are region-free.

  • TECH SPECS & RELEASE DETAILS
    Technical Specs:
    4K Ultra HD/Blu-ray/Digital HD,Region Free
    Video Resolution/Codec:
    2160p/HEVC/H.265
    Length:126
    Release Country:United States
    Aspect Ratio(s):
    2.40:1
    Audio Formats:
    English Dolby Atmos,Spanish 5.1 Dolby Digital,French 5.1 Dolby Digital,Portuguese 5.1 Dolby Digital,English Audio Description
    Subtitles/Captions:
    English SDH, English, Spanish, French, and Portuguese
    Special Features:
    Commentary by J.J. Abrams, Bryan Burk, Alex Kurtzman, Damon Lindelof and Roberto Orci
    To Boldly Go — Taking on the world’s most beloved science fiction franchise was no small mission. Director J.J. Abrams, writers Roberto Orci and Alex Kurtzman, producer Damon Lindelof, and executive producer Bryan Burk talk about the many challenges they faced and their strategy for success.
    Casting — The producers knew their greatest task was finding the right cast to reprise these epic roles. The cast, for their part, talk about the experience of trying to capture the essence of these mythic characters. The piece concludes with a moving tribute to Leonard Nimoy.
    A New Vision — J.J. Abrams’ vision was not only to create a Star Trek that was a bigger, more action-packed spectacle, but also to make the spectacle feel real. Every aspect of production—from unique locations to the use of classic Hollywood camera tricks—was guided by this overall objective.
    Starships — Abrams and production designer Scott Chambliss were careful to pay tribute to the design of the original Enterprise, but they also wanted to make it futuristic and cool for a modern audience. This chapter focuses on the unique stories behind the creation of the film’s starships.
    Aliens — Designers Neville Page and Joel Harlow talk about the hurdles they faced creating new alien species, recreating the Romulans and Vulcans, and designing the terrifying creatures on Delta Vega for the new Star Trek.
    Planets — From the frozen landscape of Delta Vega to the desert plains of Vulcan, Scott Chambliss and the art department had a number of radically different planets to create. Abrams’ desire to shoot on real locations whenever possible led the production team to a number of strange and surprising locations.
    Props and Costumes — Property master Russell Bobbitt had the unique challenge of designing props that were both true to the original series and pertinent to today’s technology. Likewise, costume designer Michael Kaplan talks about how he designed costumes that paid homage to what came before yet were relevant and timeless.
    Ben Burtt and the Sounds of Star Trek — When famed sound designer Ben Burtt was hired to create sounds for the first Star Wars film, he took his inspiration from the original “Star Trek” series. Burtt jumped at the opportunity to pay tribute to the sounds that sparked his career with the sounds he created for the new Star Trek.
    Gene Roddenberry’s Vision — J.J. Abrams, Leonard Nimoy, previous Star Trek writers and producers, and scientific consultant Carolyn Porco describe and commend the optimistic and enduring vision of Gene Roddenberry.
    Score — As a fan of the original series, composer Michael Giacchino embraced the challenge of creating new music for Star Trek while preserving the spirit of Alexander Courage’s celebrated theme.
    Deleted Scenes with Optional Commentary
    Starfleet Vessel Simulator — Explore extensive data on the U.S.S. Enterprise and the Romulan ship, the Narada. Submerse yourself in breathtaking 360° views and close-ups and review detailed tech information.
    Gag Reel
    Trailers
    Movie Studio: Paramount
    Release Date: June 14th, 2016

Video Review

4.5 Stars out of 5

'Star Trek' was shot on 35mm film using primarily the Ariflex 435 and is presented here in the 2.40:1 aspect ratio. Despite some incorrect info out there online, 'Star Trek's 4K transfer is indeed taken from a 2K digital intermediate, meaning that the image here is an upconvert, although this is among the better 2K DI upconverts we've seen on the 4K Ultra HD format thus far. As has been the case with other releases, the real change between this image and the 1080p image isn't necessarily with details (although there's certainly some of that), but the change in the depth of color and contrast that HDR provides.

The two most obvious visual improvements are in terms of skin tones (although star Zachary Quinto's makeup is a little more apparent, as is his 5 o'clock shadow) and both the deeper color and noticeable texture of the costumes. About my only complaint with the enhanced color and contrast is that the red uniforms the cadets wear on Earth (not to be confused with the red uniforms worn by some on the Enterprise) come across as a little too saturated in 4K. Most other reds look fantastic – including actually being able to see the sparkles in the paint job of young Kirk's hijacked sports car at the beginning of the movie.

The 4K disc also enhances those darker scenes that take place aboard Nero's Romulan vessel, with excellent black levels and clarity. While the 1080p version of these scenes looked decent, there was still a level of murkiness to them – 4K solves that problem, so that while the Nero sequences still look dark, viewers will no longer have issues picking up on all the details in the backgrounds.

'Star Trek' was already a pretty good-looking release on 1080p, but viewers should certainly enjoy the enhancement that 4K adds to the film. There are zero glitches in the image that I was able to detect, and while perhaps not reference-quality for the new format, this a really good looking release from Paramount.

Audio Review

5 Stars out of 5

'Star Trek' upgrades to 4K with an English Dolby Atmos track (which plays as a 7.1 Dolby TrueHD track for those without an Atmos set-up) that is aggressive from the get-go and doesn't let up until the end credits roll. It goes without saying that every laser blast and explosion sound great here, but smaller things like the beeps, chirps, and whistles of the Enterprise's various systems are distinct and noticeable throughout.

Viewers/listeners won't have to wait long to find out how fun this track is going to be as one's sound system will rumble with LFE effects as the Romulan ship appears in the early moments of the movie. In fact, LFE is used a lot during the course of the film – most impressively when the Romulans use their planet-killing/black hole-creating drill.

If there are any complaints to be had about this mix, it's in the fact that with all the aural action happening, the spoken word comes off as a little more muted that it should be, particularly in the quieter scenes of the movie. Now rest assured there's nothing muddy sounding about the dialogue, I just wish it was mixed a notch or two higher. That fact hasn't prevented me from still giving the audio here a "5" score, but I would say it does stop just a bit short from being 'reference quality', but only slightly (hence, my reason for still giving it a '5'). Most are going to be quite happy with the audio.

In addition to the Atmos track, the 4K disc also offers up 5.1 tracks in Spanish, French, and Portuguese, as well as an English Audio Description track. Subtitles are available in English SDH, English, Spanish, French, and Portuguese.

Special Features

5 Stars out of 5

Note: Since all of the bonus materials on this release have appeared on prior releases of 2009's 'Star Trek', the Blu-ray supplements descriptions that follow are from fellow HDD writer Joshua Zyber and taken from his fantastic review of Star Trek: The Compendium.

4K Ultra HD Disc

  • Audio Commentary – This is the exact same commentary from the prior Blu-ray release (and detailed below in our Blu-ray supplements listing), and the only bonus feature to appear on the 4K disc.

Blu-ray Disc 1

  • Audio Commentary – Director J.J. Abrams, producers Bryan Burk and Damon Lindelof, and writers Alex Kurtzman and Roberto Orci (all recorded together) have a great rapport in this fast-paced, information-packed commentary. Among the topics discussed are script development, 'Trek' canon and continuity, last-minute editorial changes, and tailoring the movie to appeal to women. This is a consistently interesting and engaging track.
  • NASA News – With this BD-Live feature, viewers may access an RSS news feed from the NASA website.

Blu-ray Disc 2

  • To Boldly Go (HD, 17 min. + 9 min.) – In this making-of featurette, Abrams and crew discuss their mission to make 'Star Trek' "cool" again, breaking the story, appealing to both existing fans and non-fans, and enticing Leonard Nimoy to reprise his role as Spock Prime. The piece can be viewed with or without four 'pods' of additional content (totaling 9 minutes) that branch off when a Starfleet icon appears on screen. The pods can also be viewed on their own separately.
  • Casting (HD, 29 min.) – The actors describe the daunting challenge of living up to the original cast. Zachary Quinto receives coaching advice from Leonard Nimoy. Chris Pine horses around between takes, and Simon Pegg cracks up the entire set.
  • A New Vision (HD, 20 min. + 3 min.) – Abrams and his creative team express their desire to make their new 'Star Trek' a big event spectacle, and openly admit to modeling their efforts more on 'Star Wars' than classic 'Trek'. In a pod, the film's 1st Assistant Director tries to keep the set running efficiently while the cast and crew make fun of his thick Scottish accent.
  • Starships (HD, 25 min. + 10 min.) – A look at the design of the ships in the movie, and how the art directors put a modern spin on the classic 'Trek' look. Abrams also explains why he shot many scenes in real factories and even a working brewery. Seven pods of additional clips are also available, the best of which has the actors demonstrating their 'button acting' techniques.
  • Aliens (HD, 17 min. + 8 min.) – Creature makeup and prosthetics, the importance of casting actors with the right body types, getting the Vulcan ears right, updating the Romulans, and building the CG snow monsters. Five branching pods provide further elaboration.
  • Planets (HD, 16 min. + 5 min.) – Creating planet Vulcan in the same desert location where Kirk fought the Gorn in the 'Original Series'. The importance of triangles in Vulcan architecture. Building a snow planet in the middle of Dodger Stadium. Shooting the Starfleet Academy scenes in real city locations while trying to hide the costumes and props from public view. Making a futuristic San Francisco. Plus two pods about background extras and keeping the details of the movie secret.
  • Props and Costumes (HD, 9 min. + 1 min.) – Updating phasers, communicators, tricorders, Uhura's earpiece, and uniforms from the original 1960s designs. One pod shows off deleted Klingon costumes and helmets.
  • Ben Burtt and the Sounds of Star Trek (HD, 12 min.) – The sound designer explains the amount of research he performed into how the 'Original Series' sound effects had been recorded, and his attempt to recreate them and place them into a modern aural soundscape. He also demonstrates how photon torpedo sounds are made with an aluminum ladder and a Slinky. Fascinating.
  • Score (HD, 7 min.) – Composer Michael Giacchino discusses his approach toward the movie's music.
  • Gene Roddenberry's Vision (HD, 9 min.) – A tribute to the franchise's creator and his optimistic view of humanity's future.
  • Deleted Scenes (HD, 14 min.) – Nine scenes with optional commentary by Abrams, Burk, Kurtzman and Lindelof. Some have incomplete visual effects. Here we see Spock's birth, the Narada's capture by Klingons, an appearance by Kirk's older brother, the Klingon prison planet, an alternate version of the scene with Gaila the Orion girl (which leads to an alternate version of the Kobayashi Maru test), and a new scene with 'Playboy' pin-up Diora Baird as another Orion girl.
  • Starfleet Vessel Simulator – This works very similarly to the 'Interactive Enterprise Inspection' feature on the Star Trek: The Original Series – Season 1 Blu-ray. Three-dimensional CG models of the Enterprise and the Narada can be viewed from multiple angles in a virtual tour. Pop-up trivia facts explain the workings of each ship.
  • Gag Reel (HD, 7 min.) – Outtakes, flubs and joking around. A little of this goes a long way, though the sight of J.J. Abrams wearing a white silk crew jacket from 'Star Trek: The Motion Picture' is priceless.
  • Trailers (HD, 7 min.) – Four terrific trailers, including the exciting teaser with footage of the Enterprise being built (not in the movie).
  • Disc Credits

Final Thoughts

'Star Trek' gets some added 'oomph' from this new 4K transfer of the movie, adding a noticeable level of color and contrast in HDR as well as a Dolby Atmos track. There's nothing new in terms of bonus materials, so casual fans who already own the Blu-ray may want to think twice before upgrading. However, if you're a die-hard Trekkie like myself, this one's highly recommended.

Sale Price $19.99
List Price $23.89
Buy Now
3rd Party $19.65
Usually ships in 24 hours
See what people are saying about this story or others
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  • TECH SPECS & RELEASE DETAILS
    Technical Specs:
    4K Ultra HD/Blu-ray/Digital HD,Region Free
    Video Resolution/Codec:
    2160p/HEVC/H.265
    Length:126
    Release Country:United States
    Aspect Ratio(s):
    2.40:1
    Audio Formats:
    English Dolby Atmos,Spanish 5.1 Dolby Digital,French 5.1 Dolby Digital,Portuguese 5.1 Dolby Digital,English Audio Description
    Subtitles/Captions:
    English SDH, English, Spanish, French, and Portuguese
    Special Features:
    Commentary by J.J. Abrams, Bryan Burk, Alex Kurtzman, Damon Lindelof and Roberto Orci
    To Boldly Go — Taking on the world’s most beloved science fiction franchise was no small mission. Director J.J. Abrams, writers Roberto Orci and Alex Kurtzman, producer Damon Lindelof, and executive producer Bryan Burk talk about the many challenges they faced and their strategy for success.
    Casting — The producers knew their greatest task was finding the right cast to reprise these epic roles. The cast, for their part, talk about the experience of trying to capture the essence of these mythic characters. The piece concludes with a moving tribute to Leonard Nimoy.
    A New Vision — J.J. Abrams’ vision was not only to create a Star Trek that was a bigger, more action-packed spectacle, but also to make the spectacle feel real. Every aspect of production—from unique locations to the use of classic Hollywood camera tricks—was guided by this overall objective.
    Starships — Abrams and production designer Scott Chambliss were careful to pay tribute to the design of the original Enterprise, but they also wanted to make it futuristic and cool for a modern audience. This chapter focuses on the unique stories behind the creation of the film’s starships.
    Aliens — Designers Neville Page and Joel Harlow talk about the hurdles they faced creating new alien species, recreating the Romulans and Vulcans, and designing the terrifying creatures on Delta Vega for the new Star Trek.
    Planets — From the frozen landscape of Delta Vega to the desert plains of Vulcan, Scott Chambliss and the art department had a number of radically different planets to create. Abrams’ desire to shoot on real locations whenever possible led the production team to a number of strange and surprising locations.
    Props and Costumes — Property master Russell Bobbitt had the unique challenge of designing props that were both true to the original series and pertinent to today’s technology. Likewise, costume designer Michael Kaplan talks about how he designed costumes that paid homage to what came before yet were relevant and timeless.
    Ben Burtt and the Sounds of Star Trek — When famed sound designer Ben Burtt was hired to create sounds for the first Star Wars film, he took his inspiration from the original “Star Trek” series. Burtt jumped at the opportunity to pay tribute to the sounds that sparked his career with the sounds he created for the new Star Trek.
    Gene Roddenberry’s Vision — J.J. Abrams, Leonard Nimoy, previous Star Trek writers and producers, and scientific consultant Carolyn Porco describe and commend the optimistic and enduring vision of Gene Roddenberry.
    Score — As a fan of the original series, composer Michael Giacchino embraced the challenge of creating new music for Star Trek while preserving the spirit of Alexander Courage’s celebrated theme.
    Deleted Scenes with Optional Commentary
    Starfleet Vessel Simulator — Explore extensive data on the U.S.S. Enterprise and the Romulan ship, the Narada. Submerse yourself in breathtaking 360° views and close-ups and review detailed tech information.
    Gag Reel
    Trailers
    Movie Studio: Paramount
    Release Date: June 14th, 2016