The Terminator: 40th Anniversary Edition - 4K UHD SteelBook

Since Mr. Duarte did the main coverage for this 40th Anniversary 4K UHD of James Cameron's The Terminator, I'll let his words stand. Before I bring over his sentiments, I have to state my appreciation of this film. I was four years old when I was blessed to get to see this film. Don't worry, it was edited for television, my parents weren't that forgiving. But that was the rule growing up. Because we didn't have cable, if a movie was on TV it was safe to watch. For a long time my Mom protested the idea of me getting to see The Terminator. But one late evening I got to curl up with my dad and a bowl of popcorn to watch this iconic film on a tiny 13" color television and ever since this film has been a permanent part of our household.

Anyway, here's what Mr. Duarte has to say about the film:

Forty years later, The Terminator remains a first-rate thrill ride from start to finish, blending a solidly clever time-travel story with groundbreaking special effects and gripping, suspenseful action sequences. The unique premise is simple yet effective and genius. A cybernetic killer, played to perfection by Arnold Schwarzenegger, is sent from the future to stop the birth of the human resistance leader against the machines by eliminating his mother, Sarah Connor (Linda Hamilton). And James Cameron, who co-wrote the screenplay, keeps the plot accessible without overcomplicating the time-travel mechanics, creating a tense, fast-paced adventure. He builds the tension slowly, letting the mystery unfold as the story progresses while keeping viewers hooked with every twist and turn. He perfectly balances the drama, science fiction and suspense without over-explaining the details but letting the perilous stakes drive the narrative.  

On the visual side, the movie is a triumph of practical effects, and they are still mind-blowing, especially for 1984. The cyborg makeup, particularly the scenes where Schwarzenegger's T-800 reveals its robotic endoskeleton, is iconic and still holds up incredibly well today. Looking back, the effects were far ahead of their time. Cameron's direction shines in these moments and maximizes their impact without giving away their tricks or ruining the illusion — except for, arguably, a couple of minor moments that can be easily overlooked and forgiven. Instead of relying solely on flashy visuals, he creatively uses limited resources to enhance the story and add a sense of dread, making the machine seem both futuristic and a terrifying threat. In his second feature-length film, he demonstrates a masterful skill in building and maintaining tension throughout, creating memorable characters and making each spectacular action sequence count. 

The Terminator isn't just about explosions, chases and visual spectacle. The classic sci-fi actioner is also about the atmosphere Cameron crafts where each scene adds to the growing feeling of doom, a masterclass in how to use technology and a simple compelling tale to deliver an unforgettable punch that continues to be felt forty years later.

For another take on the cult sci-fi actioner, check out our review of the 2013 Blu-ray release HERE.

Vital Disc Stats: The Ultra HD Blu-ray

Warner Bros. Home Entertainment celebrates the 40th Anniversary of James Cameron's The Terminator on Ultra HD Blu-ray as a single-disc plus digital limited edition SteelBook set. The disc is a triple-layer Region Free BD100 disc and is housed in a single tray inside the SteelBook. The SteelBook is a stylish piece of original art that I thought was pretty damned attractive. I liked it better than the bland standard edition art. 

Here's what Mr. Duarte had to say about the video transfer: 

Reportedly coming from a new remaster of the same 4K scan used for the 2013 Blu-ray release, the sci-fi classic lands on Ultra HD thanks to the same AI enhancements and technology used for True Lies and The Abyss. However, unlike those somewhat controversial releases, which frankly were not that terrible, this HEVC H.265 encode is surprisingly good, even outstanding, more in line with the results of Titanic and Aliens. There are a few reservations worth mentioning, but the overall picture quality is impressive and will be more than satisfying for viewers. In the end, the movie has never looked as good as it does here.

Conducted at Park Road Post and under the supervision of director James Cameron, the 4K transfer arrives with amazingly sharp details throughout. From the hair and clothing to the small objects decorating the background, lines are distinct and very well-defined. On the whole, the faces of the cast are extraordinarily revealing, exposing individual pores and negligible blemishes without seeming artificial. We can plainly make out the lettering of signs and posters from a distance, and the fabric of the 80s furniture and outfits is discrete. Occasionally, a few moments can look a bit too clean and even blurry, coming pretty near to looking somewhat scrubbed, but it's nothing too egregious as to ruin its enjoyment. To also be fair, this is more noticeable on large projection screens and only during a few wide shots where it's easy to see that some of the natural grain has been reduced. Thankfully, the 1.85:1 image is still awash in a visible grain structure, but it's very light and much more refined than in previous editions. Yet, it remains quite film-like and attractive. 

Also, the HDR grading is more cautiously applied here, and the heavy teal and blue look of its HD SDR predecessor has been toned down somewhat without compromising the overall palette. Primaries are fuller and accurately rendered while secondary hues are vibrant and energetic without looking unnaturally boosted. Skin tones also appear natural with a healthy, lifelike peachy-rose tint in all the faces. The Dolby Vision presentation shows excellent contrast and brightness balance, beaming with brilliantly vivid and pitch-perfect whites. Specular highlights have a tighter, narrower glow in the hottest spots with improved definition, such as the swirling lilac-purple spheres of energy with their flashes of light, the electrical pulses from the futuristic weapons and the bright light reflecting off faces. Meanwhile, black levels are deeper and richer than their BD counterpart with stronger, more penetrating shadows and better visibility of the finer details within the darkest, murkiest corners, providing the video with a lovely cinematic appeal.

Here's what Mr. Duarte had to say about the Atmos and restored Mono audio:

Cameron and his team have upped the ante with a stunning Dolby Atmos soundtrack guaranteed to give one's system a healthy workout, putting the previous DTS-HD MA 5.1 track to shame. And best of all, the new track is joined by the original mono sound design in an equally good lossless DTS-HD MA 2.0. 

For the most part, the object-based mix remains a relatively front-heavy presentation, but imagining continuously feels broad and spacious with outstanding channel separation. From the commotion of traffic, busy locations and the car chases, background activity convincingly moves across the screen and into the top heights, generating a sweeping, half-dome soundscape. An extensive and dynamic mid-range exhibits room-penetrating clarity while maintaining sharp details in every explosion and into the higher frequencies. Sadly, given how amazing everything else sounds, the gunshots have annoyingly been replaced with blandly flat effects that sound hollow and puny. 

Thankfully, the mono design retains the original gunshot effects while exhibiting outstanding definition throughout and superb clarity in the action sequences, like the police station shootout, the climactic car chase and the explosions. Quieter moments deliver excellent warmth and fidelity, and both tracks come with excellent dialogue reproduction, delivering terrific intelligibility in the performances and very well-prioritized amid the loudest, tumultuous moments. In the Atmos mix, the low-end is robust with an authoritative, wall-rattling impact, adding some serious oomph to the action, but the mono track is no slouch, delivering the appropriate weight and presence to the visuals. 

In the 3D audio track, atmospherics effortlessly travel from the sides to the rears and across the heights, convincingly enveloping the listener in a satisfying hemispheric soundfield. Police helicopters fly overhead from one end of the room to the other, bullets whizz in every direction, debris scatters all around, and the war against the machines energizes the entire room with complete chaos. The iconic musical score also evenly spreads across the fronts and top heights, adding to the visuals and pulling viewers into the action persuasively.

In a frustrating note, the bonus features for the film are rather anemic. Nothing new and then not everything we've had with past releases. 

• Creating the Terminator: Visual Effects and Music (1080i/60, 13 min)
• The Terminator: Closer to the Real Thing (1080i/60, 12 min)
• Unstoppable Force: The Legacy of the Terminator (1080i/60, 10 min)
• Deleted Scenes (1080i/60, 10 min) with optional commentary by James Cameron

Given the varying quality of the previous Cameron releases of True Lies, Aliens, The Abyss and Titanic, I was a little worried how this one would come out. I guess with each release, Cameron perfects this process because The Terminator falls closer in line with The Abyss and Titanic in 4K than True Lies. I still don't get the need/want for this processing technology, but Cameron is gonna Cameron and we're along for the ride. For those who fear this sort of presentation, at least it's not Jaws 3! I quite literally grew up with The Terminator, it's an important piece of my cinematic upbringing and I'm glad to see it make this transition to 4K with some impressive results. Most importantly, I'm glad the original theatrical mono has returned because I frankly hate the neutered pew-pew gunshot effects. A great Dolby Vision transfer plus awesome audio with slick cool SteelBook art equals a highly recommended score in my book... so yeah, Highly Recommended